The 12 Methods of a Mantis Boxer

Welcome to my course on the 12 keywords of Praying Mantis Boxing. This consolidates all the videos on the 12 keywords, plus written material, characters, and strategies. A resource for you to access and learn the principles that define our art — mantis boxing.

About the Keywords

These keywords have been passed down through the generations as the bedrock of the style. They are also unique to each individual teacher. Some keywords may be swapped out and replaced with another that a particular boxer found significant to them. Some have more, or less than twelve. And, the interpretation is ultimately up to the practitioner how they can use the keyword in hand-to-hand combat.

We’ll start by going through each keyword with a video and written explanation of each. At the end I will present some strategies for using the keywords in practice. As with any technique of significant value in boxing, the concepts are simple, the execution is effort + work = success. The difficulty…is in conjoining them together in real time combat.

 

Hook (Gōu 勾)

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Hook (Gōu 勾) - the weapon of the Praying Mantis. It seizes it's opponent with it's large arms and hooks, then pulls it's prey off balance and devours it on the ground. When observing the mantis against a larger foe, one can see the mantis pounce, take the back, use it’s legs to hold on, and continually gain control of it's opponent while it bites and gains better hook positions to attack, and keep it safe.

We don't have large mandibles to chew on our opponents, nor would I advocate biting your enemies unless absolutely necessary. What we do borrow from a mantis' tactics is: controlling, seizing, binding up...the hooks!

The Mantis Hook, hand shape (Xiàng 象) is a key indicator of the style. This seemingly innocuous shape is highly effective and ingenious in it’s design. Other martial arts styles also use hooks: White Crane, Muay Thai, Wrestling (Mongolian and Western), but the Mantis hook places emphasis on the curling of the fingers to strengthen the forearm and the holds.

When a Mantis Boxer latches onto an opponent, the hook has been trained to create a tight clinch. When practicing tào lù (forms/shadow boxing 套路) they emphasize folding the fingers into the hook hand, engaging the muscles in the forearm. Training with this focus, as well as other tools/drills, increases the hook strength in the arms of the Mantis Boxer, giving them more control over their opponent. 

The Hooking Methods of Mantis Boxers

  1. Clinching Hook

  2. Twisting Hook

  3. Piercing Hook

  4. Hanging Hook

  5. Spinning Hook

  6. Blocking Hook

  7. Rowing Hook

  8. Lifting Hook

  9. Seizing Hook

  10. Leg Hook

 

Clinch (Lǒu 摟)

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Clinch (Lǒu 摟) is when we move from kicking and striking, to being tied up in the hooks, body clinch, rear clinch, underhook position, etc. This is where elbows, knees, takedowns take precedence over striking, but also where we are vying for control of our opponent's body and limbs.

The components of grip fighting, neck control, and gaining a positional advantage take precedence over using the fists. "Position before submission". Attaining superior position can lead to the takedown, throw, elbow, or knee, increasing the likelihood of ending the engagement. Managing range is crucial here, and we'll tackle more of that when we get to 'Adhere' (Tie 貼).

Why Clinch?

The clinch precedes the throw/takedown in many cases. Mantis Boxing is designed to strike and kick it’s way in, to affect a throw. Once engaged in the throwing attempt, an opponent may counter, out maneuver, over power, or strike. It is important to increase our grappling skills in order to handle this phase of the engagement.

 

Pluck (Cǎi 採)

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Pluck (Cǎi 採) - a short sharp pull down, or powerful snap. We use Cǎi to feed our adversary into a disadvantaged position, or lead them into emptiness. Cǎi initiates from hook or the clinch, and is an integral component to setting up many takedowns, headlocks, chokes, and strikes found in Mantis Boxing.

Originating from the neck hook, double neck hook, wrist, and double arm hook, Cǎi is applied. It is used predominantly in conjunction with Wicked, Hang, Lean, and Clinch. Prominent moves in Mantis Boxing that use pluck are: Mantis Catches Cicada, and White Ape Invites Guest.

When grappling with our adversary, pluck can be initiated to bring the opponent’s weight forward, causing them to suddenly posture up, or resist backwards. At this moment, we can follow them and use applied force in the same direction they are already travelling, taking advantage of their movement and building momentum to affect a takedown or trip.

The same is true in reverse, if I pressure against my opponent, making them feel I am pushing them backwards, they will often resist and pressure back into me. This is a perfect opportunity to apply pluck, again using their energy concurrently with our sharp pull down.

 

Connect (Zhān 粘)

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Connect (Zhān) - connecting with the opponent. The process of ‘trying’ to stick to them. This can be done by grabbing, hooking, finding a way to slow down the limb e.g., a retracting arm, a leg, or by taking advantage of a limb left behind.

Connect can also be accomplished through a strike, or a block. If we strike with a punch, and snap our arm back, we gain the advantage of returning to our guard position and defending counter-strikes, but we may miss out on the connect.

The idea with connect, is finding a way to stick to the opponent so we can close in (Enter (Jìn 進) )  and control the limbs; ultimately getting to a clinch position so we can manifest knees/elbows/trips/takedowns/throws/locks.

Connect translates as ‘to stick’. A good descriptive is if you took a piece of chewed up bubble gum and threw it at a wall, or stuck it to a desk. When it makes contact, that is Zhān. Closely linked to Nián, they appear to mean the same thing, but Nián is sticking rather than ‘to stick’. When you try to pull the gum off the wall afterwards, that’s Nián.

 

Stick (Nián 黏)

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Stick (Nián) - is the act of sticking once we are engaged. Once connected, staying in contact i.e., clinging, sticking, following, allows you to ‘feel’ where your opponent is at all times, and control limbs. Instead of the floating limb being able to bite you.

Sticking/Clinging once we are grappling, is crucial to staying ahead of our opponent.

Connect/Cling is translated as Join/Stick in Tai Ji Quan (Supreme Ultimate Boxing). These principles use the same Chinese Character, and are one in the same in both arts. 

 

Hang (Guà 掛)

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Hang (Guà 掛) wears down our opponent, and forces more pressure on them while stabilizing our own position. This saps their strength, and decreases their mobility.

If we use the Mantis Hook on the neck while in the Clinch (Lǒu 摟), but we leave the hook loose, or stand up straight, we have no control over our opponent. By dropping the pelvis (the largest bone in the human body), we use our lowered center of gravity to 'hang' on our opponents neck.

In addition to sapping our opponents strength, we are able to do this with using less strength of our own. Try standing straight up and hooking your partner's neck. In order to pull them downward, or restrict their movement, we would need to use an incredible amount of strength. Now try the same thing and drop your hips while hanging on your partner. Notice the difference in strength usage, and intensity. This makes it much harder for them to move, while using less strength ourselves.

Once we are hanging on our opponent, now we can use Wicked (Diao 刁), Clinch (Lǒu 摟), and Pluck (Cǎi 採) to set up trips, takedowns, and/or strikes. 

 

Wicked (Diāo 刁)

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Wicked (Diāo 刁) is the use of deceptive tactics when in battle, and becomes part and parcel to the art we are doing. If we are a Boxer, we'll rely heavily on fakes and feints to expose weaknesses, or create weaknesses in our opponent.

If we are a Grappler, pretending to go for a choke in order to get someone to expose their arm so we can apply an Arm Bar, is another variation of this theme.

Musashi, the famed Samurai of the Book of Five Rings fame, used deception to defeat opponents, or fluster them. It is a common tool of strategy used in any form of warfare to win a battle, skirmish, or fight.

One of the many ways we use this keyword in Mantis Boxing, is a technique that Tàijí Quán calls - "leading the opponent into emptiness".

Using Pluck (Cǎi 採), and Push, Lean (Kao 靠) as well as fakes, and feints,  or; setting up a grip, or a throw so we go for something other than what we appear to be doing. Using movements one direction to setup throw or trip in another.

These are all ways of using 'Wicked' deception to get something to work, rather than using strength to force a technique. There is always someone stronger, and even if we're the strongest on the planet, we all get sick, and have bad days. Relaxing and being sensitive to our opponents movements like we discussed with Connect (Zhān 粘) & Cling (Nián 黏), can allow us to read our opponent and trick them into submission.

 
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Enter (Jìn 進)

Enter (Jìn 進) - or advance. This encapsulates a variety of ranges in a fight. Starting from the furthest range to the closest.

  1. Long Range Enter - the first component of enter is crossing the range where there is no fight, to the fight itself. In military terms, it is similar to a DMZ (de-militarized zone), an area dividing two sides. If either side crosses the line, warfare breaks out. We call this line critical distance.

    Critical Distance is the invisible line separating us from our opponent’s longest weapon (rear leg attack). Outside of this line, there is no fight. Once we embark over this threshold, we enter a vulnerable stage of the skirmish. In order to successfully cross into enemy territory, we use what are known as ‘bridging tactics’.

    Two such examples exist in Mantis Boxing - 3 Section Step, and Circle and Chop. The first, uses angling and position to attack the opponents centerline. This is a highly nuanced technique and requires a great deal of practice. When performed properly, it is extremely difficult to deter.

    Circle and Chop, uses a heavy barrage of strikes and advancement with footwork, to overwhelm the opponent and run them down. This is another way to enter and the intent is to run down our opponent.

  2. Enter from Striking to Grappling - when we transition from striking to grappling, with the goal of establishing hooks, and a clinch, we must Enter with our feet as well, in order to close the distance. If we reach out to initiate hooks without moving forward, we violate our guard principle and over extend the arms.

    This creates ample time, and space, for our opponent to land blows upon us and annihilate our efforts. It can also cause us to lean prematurely and create an opportunity for our opponent to throw us, or drag us down.

    When we Enter from Strike we Connect, Stick. Then, and only then, do we attempt to hook if the opening is secure. If we lose position, or our opponent retreats, we can switch gears again and keep a solid advantage.

  3. Enter with Connect Stick Adhere - Entering the grappling phase of the battle when we connect and stick, we need to commit fully to engaging the single, or double underhooks and go forth completely to adhere. Failure to advance in this stage of the encounter, can lead to our own demise.

    As we enter the flank position with a single underhook across the back, our opponent can capture our arm for a joint lock with Mantis Captures Prey. If we fail to enter with the double underhooks, and do not adhere to them, they can still rain punches, elbows and knees upon us with the available space left betwixt.

  4. Enter the Barricade - simply put, run them down. If our opponent doesn’t move, we continue to advance. How we Enter is what matters. We need to change gears on the way in. Kicks turn to Strikes. Strikes become Elbows and Knees. Connect and Cling become Hook and Clinch. These metamorphosis into Takedowns, Trips, Throws.

  5. Enter upon Retreat - if our opponent retreats and creates space, rather than let them establish distance and regain their guard, or position; we enter/advance to follow. We enter with a kick, or strike until we can adhere once more.

 

Crush (Bēng 崩)

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Crush (Bēng 崩) - to ‘collapse and fall into ruin’. Also known as 'crushing' in many Chinese Martial Arts usages. Bēng is used to attack the vital targets in the midsection of an opponent. Effective strike targets such as: the liver, stomach; ribs, and the real treasure - the solar plexus, or central palace in Tàijí Quán. All of these targets can disable an opponent with one hit. This is seen in countless boxing matches, UFC battles, Muay Thai fights, and Kickboxing bouts. What happens when you land a good strike on an opponent in one of these locations? They "collapse and fall into ruin". 

Bēng, as a principle, can use a fist, a knee, a kick, all to accomplish the goal of - causing the opponent to - 'collapse, and fall into ruin'. 

Aligning the Strike

If you examine the height of many of the stances found in Chinese Martial Arts forms, and in this case Bēng Bù, you'll see that the strike does not align with the opponent's face but rather with the solar plexus/lower rib region of a ‘standing’ opponent.

Dropping the stance aligns the punch to the effective strike targets (liver, stomach, solar plexus). Mantis Boxing uses the Horse-Riding Step (Mǎ Bù 吗步), Bow Step (Gōng Bù 弓步) to accomplish this alignment of the attack.

Punching to the face is certainly an effective attack, but it also hurts the striker if they aren't wrapping their hands, or wearing gloves. Styles of Karate have Makiwara boards, and Chinese Martial Arts has Iron Palm/Iron Fist to train the hands so as not to break/injure the bones while connecting with someone's hard skull.

Iron Fist training takes months/years to train. Conditioning the bones and skin is only accomplished through extreme dedication and commitment. It is faster to teach someone a technique to strike the vitals, meanwhile working on conditioning the hands for longer term strategies.

Keeping in mind: the human skull has evolved over millions of years to protect the brain inside of it. It's hard, and not meant to crumble at the first hint of danger. Quoting a bike-helmet study published in the Journal of Neurosurgery: Pediatrics, "235 kg (520 pounds) or 2,300 newtons of force would be needed to crush a human skull, almost twice as much force as human hands could possibly muster."

Plainly speaking, anyone who has punched another human in the skull with a bare hand can tell you - it hurts when you hit. Knowing this, it is easy to see why a striking principle like Bēng, is so prevalent in the martial arts. 

One might be better served destroying an enemy in a soft target, rather than risk the injury of straight on face punching. This can be seen in other Mantis Boxing techniques aimed at the head region using alternate hand shapes: White Snake Spits Tongue, Spear Hand, Thrust Palm, Ear Claw, Slant Chop.

 

Strike (Dǎ 打)

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Strike (Dǎ 打) - at it’s root, Mantis Boxing is a style of stand-up grappling. However, we need tools to get to the clinch and then throw; especially against an active and violent opponent. The style includes strikes and kicks to either knock out the opponent, or Enter (Jìn 進) to a grappling position in order to facilitate a throw/trip/takedown.

Strike is good keyword to remember when we are engaged in grappling against another high level grappler. At times, we can forget that a strike is available, succumbing to the common myopic infirmity of ‘Target Fixation’.

3 Methods of Strike

Strike to Damage

Softening the opponent with any one of, or combination of the strikes found in Mantis Boxing. These include fist strikes such as: Crushing Fist, Cannon Fist, Drilling Fist (uppercut), Scraping Fist, and Chopping Fist. Other options are Open-Hand Strikes which include: Thrust Palm, Eye Plunder, Ear Claw, Throat Claw, Spear Hand, Slant Chop, and Groin Slap.

Strike to Enter/Bridge/Connect

A basic bridging tactic for crossing Critical Distance is to strike on the way in. This occupies our opponent while we enter, rather than walking in and eating a punch. In order to successfully cross into enemy territory, we use ‘bridging tactics’.

A bridging tactic is a tool or method to occupy or distract our opponent in order to bridge the gap from out of range, to where we can land our attacks. There are a variety of methods in Mantis Boxing to achieve this, such a 3 section step, and double kick, but a rudimentary and base level bridging tactic is to strike upon entry.

Strike to Connect, to Stick, to Hook, then Clinch

Within striking range we decide to reach out and try to grapple our foe by getting our hooks on their neck/arms. This gives our opponent an opportunity to strike us, as they are no longer occupied.

By striking first, we engage our opponent’s limbs if/when they defend, and then transition from connect to stick. Upon sticking, we begin to hook, and then clinch. This provides a staged execution of reaching the clinch using strike, instead of being knocked out in our attempt.

The Strikes of Mantis Boxing

3 Palms

Palm strikes are used for attacking the head. This limits the damage done to the hand and allows for full power striking.

  1. Thrust Palm

  2. Circle Palm

  3. Shovel Palm

5 Fists

Fists are used for softer targets like the body, but a few are used for the head/neck region.

  1. Chopping Fist

  2. Straight Fist - Crushing/Cannon

  3. Drilling Fist

  4. Scraping Fist

  5. Circle Fist

Finger Strikes

Finger strikes are used for precision striking only. These are vital targets that can quickly and efficiently dispatch an opponent.

  1. White Snake Spits Tongue - Eyes

  2. Piercing Palm - Throat

  3. Ear Claw - Ear

Elbow Strikes

Elbow strikes are used inside the clinch. When fists and palms create too large of an opening in our defensive guard to implement them safely. Elbows are highly destructive.

  1. Inside Elbow

  2. Outside Elbow

  3. Upper Elbow

  4. Downward Elbow

  5. Falling Elbow

  6. Thrusting Elbow

  7. Smashing Elbow

Knee Strikes

Knee strikes, as with elbows, are predominantly used inside the clinch. The exception being the skipping knee. Knees are powerful tools and create destructive damage upon impact.

  1. Crushing Knee

  2. Wicked Knee

  3. Side Knee

  4. Skipping Knee

 

Adhere (Tiē 貼)

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Adhere (Tiē 貼) - space management. Creating space when on the defense, and removing space from our opponent when on the offensive. If you want to reduce the level of control an enemy has on you - framing them, slipping the hooks, and increasing distance can help keep you from getting toppled.

On the inverse, when attacking the opponent, removing their space allows for greater control and openings for the takedown. Managing range becomes a crucial element in a fight. One of the most important. 

If someone stretches back increasing space, and we’re still trying to keep our hooks in, we can get destroyed as we allowed openings and space for strikes. We have to change gears and switch back to striking, or even kicking if the range increases too much. If an opponent pushes off, or backs up, we follow them to stay adhered.

Position before submission

It’s important to recognize the saying - “position before submission”. We do not want to become so focused on striking, that we give up our position in the process. Being methodical, and taking attacks of opportunity, rather than trying to force the strike, allows for us to have a higher probability of staying dominant vs. defensive.

When adhering to our adversary, we should secure our position first before attempting to strike. Throwing a punch, elbow, knee, or applying a takedown, or throw without proper position first, will surely end in our own demise.

 

Lean (Kào 靠)

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Lean (Kào 靠) - to lean against one’s opponent. Due to the heavy reliance upon grappling and clinchwork in Mantis Boxing, Kào is an important keyword when engaged close range with the enemy. 

Postural Defense

Once we are entangled in the Clinch (Lǒu 摟), we lean in to protect our position, or risk being taken down, or pushed over. We use our foe as a support structure, leaning against them whilst engaged in grappling and clinchwork. This is synchronous with Adhere (Tiē 貼).

While we Adhere, we shore up our position by using Kào. If this becomes impossible, we should break range and secure a better position. Kào can shut down my opponent’s attempt at hip toss throws; dropping my CG making it difficult for him/her to get their hips (fulcrum) under my CG. 

It also reduces chances for them using Crashing Tide; their posture would become compromised simply upon attempt. Another advantage provided by Kào, is buffering the double leg takedown. If we’re upright, our legs are within easy grasp, and shortens the time until their shoot. By leaning, I can sprawl easier and faster by dropping my CG and putting my weight down upon their shoulders.

Overall, if we can stay inside the clinch with a solid posture, and forward lean, we can use this pressure to time takedowns with applied force.

Applied Force

In addition to securing our position with solid posture, we can also use the shoulder to assist in our own throws. The shoulder is used heavily in a lean forward type motion to affect applied force. This assists in the execution of many takedowns such as Crashing Tide, Single and Double Leg Takedowns, Point at Star, Reaping Leg, Blue Heron Spreads Wings, and more.

 

Strategies

Here a few examples of using the keywords strategically to be more effective at combat:

Striking to Grappling

  1. Enter to Strike

  2. Strike to Connect/Stick

  3. Stick to Hook

  4. Hook to Clinch

  5. Clinch to Hang

Knees

  • Hook to Pluck to Crush (knee strike)

Wicked Games

  • Pluck followed by Adhere & Lean to leg hook takedowns

  • Lean followed by Pluck to seal (choke)

Grapple to Strike

Hook, Clinch and Lean. Opponent breaks clinch. Go to Strike.

Crushing Step - Bēng Bù - 崩步

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Bēng Bù (Crushing Step 崩步) is a prevalent tào lù (form 套路) of tángláng quán. It stands as one of the more popular fighting sets on record for the mantis boxing style, and is a commonality amongst many of the branches of mantis boxing after it split during the turn of the 19th and 20th century.

Although the name translates as 'Crushing Step', this is a bit of a misnomer. Bēng means - ‘to collapse and fall into ruin’. Rather than an actual crushing ‘step’, Bēng Bù is more specifically about the ‘steps to Bēng’. The set is a series of techniques leading to the ‘collapse and fall into ruin’ of our opponent. This can be represented at times with single moves in the form such as crazy ghost fist, but there are many interconnected sequences of techniques as well.

A series of counters to counters, ultimately leading to the enemies collapse. Think about Rule of Three from our 12 boxer principles. While execution and power generation of a bēng dǎ (crushing strike 崩打) is riddled throughout the set, the overarching theme is causing the collapse of our foe in a myriad of ways.

The character (step 步), is defined as a step-by-step process. Or, in this case, using the step (footwork) to generate an ultimate end goal. Bēng Bù in its entirety, contains a myriad of attacks and positions that include - throws, grapples, plucks, kicks, elbow strikes, and more. Bēng however, is the foundation of this tào lù (form 套路).

The ‘engarde’ position known as ‘mantis catches cicada’ shows up in bēng bù right at the beginning. In bēng bù, as well as in other mantis sets, it is branded with the mantis hooks instead of the signature open palms found in other northern boxing sets such as plum boxing (meihuaquan).

At the end of the first road of bēng bù, there is a move often referred to as a ‘tiger tail kick’. There are versions with one instance of this as you start the second road, and others that end the first road with this move, and then repeat it in the opposite direction before heading into road two of the form.

Plum Flower Maiden Dancing from Pole to Pole. Circa 1880. Source: Wikimedia (though I believe that Stanley Henning was the first person to publish this image in his essay for Green and Svinth.)

Thanks to an article done by Ben Judkins on his Kung Fu Tea blog, I found a drawing of this exact same move. The article - “Research Notes: “Background of Meihuaquan’s Development During Ming and Qing Dynasties” By Zhang Guodong and Li Yun” discusses the influence meihuaquan had on the area of Shandong during the late 1800’s. This same ‘tiger tail kick’ move, as seen in the drawing from 1880, is inside the meihuaquan forms.

This plum boxing influence on such a staple form as bēng bù, draws into question any uniqueness of the techniques within, and points to a larger common vernacular of boxing methods found amongst styles in northern China during this time period.

As with many other tanglangquan forms, it is an exciting set to delve into with many great combinations inside.

Crushing Step Lexicon

Road 1

  1. Crazy Ghost Fist

  2. Mantis Catches Cicada

  3. Thrust Palm Closing Attack

  4. Knee Hook Lapel Punch

  5. Leg Hook Lapel Punch

  6. Falling Elbow/Reaping Leg

  7. Rowing Hook

Road 2

  1. Tiger Tail Kick

  2. Double Sealing Hands

  3. Chop with Fist

  4. Deflect Parry Punch

  5. Rowing Hook

  6. Thrust Palm Closing Attack

  7. Knee Hook with Lapel Punch

  8. Step Up to Double Seal

  9. Waist Chop

  10. Wicked Knee

  11. Beatdown Chop

  12. Rising Elbow to Double Seal w/ Wrist Bind

Road 3

  1. Seize Leg

  2. Seize Leg

  3. Closing Door Kick w/ Eye Plunder

  4. Piercing Hook

  5. Point At Star

  6. Change Moon

  7. Lifting Hook with Leg Hook

  8. Catch Kick & Leg Hook

  9. Seize Leg

Road 4

  1. Seize Leg

  2. Seize Leg

  3. Waist Chop

  4. Circle Punch

  5. Rowing Hook

  6. Lapel Punch w/ Trip

  7. Closing

Crushing Step Applications
Road 1

01 - Crazy Ghost Fist

04 - Knee Hook Lapel Punch

06 - Falling Elbow

03 - Thrust Palm Closing Attack

05 - Leg Hook Lapel Punch

07 - Rowing Hook


Crushing Step Applications
Road 2

01 - Tiger Tail Kick

03 - Chop with Fist

05 - Rowing Hook with 7 Star

07 - Knee Hook Lapel Punch

09 - Waist Chop

 

11 - Beatdown Chop

 

02 - Double Sealing Hands

04 - Deflect Parry Punch

 

06 - Thrust Palm Closing Attack

08 - Double Sealing Hands

 

10 - Wicked Knee

Timestamp - 00:49

12 - Sticky Elbow

 

The Strikes of Mantis Boxing

The Strikes of Mantis Boxing

Striking is an integral component of our art of mantis boxing. Without it, we cannot function to our optimal levels, and we miss out on critical weapons that could eliminate or disable an opponent before the need for our hooking and grappling skills. This phase of combat is so important we have an entire keyword principle devoted to this single act. We will show this later in this course.

The Kicks of Mantis Boxing

The Kicks of Mantis Boxing

Below, you will find the videos on how to perform each of the kicks, and drills to practice them. Further down, we’re going to use Heel Kick to show drills for various principles you want to get down. It is recommended that you use the same drill, but simply swap out the heel kick for each of the other kicks that apply. Please post your questions in the comments.

The Footwork of Mantis Boxing

The Footwork of Mantis Boxing

Footwork is the essential ingredient in hand-to-hand combat, fighting, self-defense, martial arts, however you want to refer to it. If our footwork is bad, our fighting is bad. Like a home we live in, if the foundation is bad, the house falls down. Our ability to remain effective in fighting, or sparring is built upon the foundation of our footwork. The better our footwork, and movement, the higher the likelihood of success with our striking, blocking, and takedown defense.

Strike Defense

Strike Defense

Knowing how to block strikes is an integral part of our boxing skills. This provides for our primary defense against an aggressor, but also builds a foundation for our counter-striking skills that we add later. Dive into these skills and learn to block all manner of strikes an enemy can throw your way.

Kick Defense

Kick Defense

Kicks are a powerful and deadly threat we’re faced with against other trained boxers/fighters/martial artists. While not a threat from the uninitiated, as they are more likely to end up on the ground in any meager attempt to kick us, these do pose an inherent disadvantage for us if we lack the tools to defend against them.

10 Principles of Success for Boxers

10 Principles of Success for Boxers

So often in the fighting arts, we lack principles or framework to improve our skills through critical analysis. A few artists/fighters/boxers, mainly those willing to take some beatings, are able to improve their skills, while others are left feeling like they just don’t have what it takes. When you take your training to the sparring phase, whether on the mat, ring, or cage, if you…

Summary Boxing Set (Zhāi Yào 摘要)

 
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Summary Boxing Sequence

Zhāi Yào Tào Lù

摘要套路

See further below for the boxing instruction set, and links to many of the fighting applications. When learning the boxing set, you can follow my recommended training missions below each lesson. I recommend sticking to a lesson until you feel comfortable to proceed.

 

Lesson 1 - 1st Road - Part 1

Zhai Yao - Training Mission 1

See lesson 1 video above for sequence. It is recommended to practice this a few times in a week, or as much as you are comfortable.

1st Road - Part 1 - Perform - 3 Sets of 10

  1. Crazy Ghost Fist

  2. Toe Kick

  3. Mantis Catches Cicada with Crushing Knee

  4. Thrust Palm Closing Attack

Lesson 2 - 1st Road - Part 2

Zhai Yao - Training Mission 2

See video above for sequence.

1st Road - Part 1 - Perform - 3 Sets of 10

1st Road - Part 2 - Perform - 3 Sets of 10

  1. Knee Hook Lapel Punch

  2. Leg Hook - Blue Heron Spreads Wings

  3. White Ape Falls in Hole

  4. Tiger Tail Throw

 

Lesson 3 - 2nd Road - Part 1

Zhai Yao - Training Mission 3

See video above for sequence.

1st Road - Part 1 - Perform - 10x

1st Road - Part 2 - Perform - 10x

2nd Road - Part 1 - Perform - ​3 Sets of 10

  1. Double Seal

  2. Beat down Chop

  3. Closing Door Kick

  4. Drilling Fist

  5. Three-Section Step to Crush

Lesson 4 - 2nd Road - Part 2

Zhai Yao - Training Mission 4

1st Road - Perform - 10x

2nd Road - Part 1 - Perform - ​10x

2nd Road - Part 2 - Perform - ​20x

  1. Ankle Pick to Lifting Hook

  2. Crashing Tide (monkey variation)

  3. Double Seal

  4. Diagonal Flying

  5. Wicked Knee

After completing all sections - perform entire set ​10x

 

Lesson 5 - 2nd Road - Part 3

Zhai Yao - Training Mission 5

1st Road - Perform - 5x

2nd Road - Part 1 & 2 - Perform - ​10x

2nd Road - Part 3 - Perform 20x

  1. Beatdown Chop

  2. Crashing Tide (7 Star Variation)

  3. Double Push

  4. Break the Chains

  5. Twisting Hook

After completing all sections - perform entire set ​10x

Lesson 6 - 3rd Road - Part 1

Zhai Yao - Training Mission 6

1st Road & 2nd Road together - Perform - 10x

3rd Road - part 1 - Perform 20x

After completing all sections - perform entire set ​3x

  1. Twisting Hook

  2. Rowing Hook (7 star variation)

  3. Piercing Hook

  4. Point at Star

  5. Leg Hook - Change Moon

 

Lesson 7 - 3rd Road - Part 2

Zhai Yao - Training Mission 7

1st Road & 2nd Road together - Perform - 5x

3rd Road - part 1 - Perform 10x

3rd Road - part 2 - Perform 20x

After completing all sections - perform entire set ​3x

  1. Double Clinching Hooks w/ Crushing Knee
    Hook

  2. Temple Step to Lifting Hook

  3. Tiger Tail Throw

  4. Crashing Tide

Lesson 8 - 3rd Road - Part 3

Zhai Yao - Training Mission 8

1st Road & 2nd Road together - Perform - 5x

3rd Road - part 1 - Perform 10x

3rd Road - part 2 - Perform 10x

3rd Road - part 3 - Perform 20x

After completing all sections - perform entire set ​3x

  1. Monkey Steals Peach

  2. Circle, Scrape

  3. Heel Kick

  4. Mantis Captures Prey

  5. Blocking Hook

 

Lesson 9 - 4th Road - Part 1

Zhai Yao - Training Mission 9

1st, 2nd, & 3rd Roads together - Perform - 5x

3rd Road - Perform 5x

4th Road - part 1 - Perform 20x

After completing all sections - perform entire set ​3x

  1. Seizing Hook

  2. Shoveling Hook

  3. Inside Elbow

  4. Circle Punch, Heel Kick

  5. Tame Tiger

Lesson 10 - 4th Road - Part 2

Zhai Yao - Training Mission 10

1st, 2nd, & 3rd Roads together - Perform - 3x

4th Road - part 1 - Perform 10x

4th Road - part 2 - Perform 20x

After completing all sections - perform entire set ​3x

  1. Rowing Hook (single leg)

  2. Spinning Hook

  3. Hanging Hook L/R

  4. Crashing Tide

  5. 3 Section Step to Crushing Strike

 

Lesson 11 - 4th Road - Part 3

Zhai Yao - Training Mission 11

1st, 2nd, & 3rd Roads together - Perform - 3x

4th Road - part 1 & 2 - Perform 15x

4th Road - part 3 - Perform 20x

After completing all sections - perform entire set ​3x

  1. Cross Kick

  2. Side Kick

  3. Circle Punch to Clinching Hook w/ Crushing Knee

  4. Guillotine to Rising Choke

Lesson 12 - 4th Road - Part 4

Zhai Yao - Training Mission 12

1st, 2nd, & 3rd Roads together - Perform - 3x

4th Road - part 1, 2 & 3 - Perform 15x

4th Road - part 4 - Perform 20x

After completing all sections - perform entire set ​3x

  1. Over the Knee

  2. Clinching Hook to Dragging Hook

  3. Anchor Drop

  4. Close

fin


Quán Pǔ (拳谱)

A quán pǔ (boxing set 拳谱) is a list of instructions, a chart outlining the system, or piece of the system. Most Chinese martial arts forms are accompanied with an instructional list of moves such as this. Unique names to help one remember what to do next — mnemonics.

The names of each move can be extremely difficult to translate. Guessing at times to the creators intent/meaning. If one is going by the name alone it can be close to impossible to crack the code. In many cases these names have localized meanings connected to a village, region, time period of origin, mythical backstory, local legend, or they are specific to the boxing founder themselves. In many cases they reference some movement, for example an animal.

If an outside viewer is not familiar with each of these names then it has no meaning to you other than assisting the learning process. An example from my life could be the word ‘hornpout’, a term we used for catfish while growing up in New Hampshire, USA. It wasn’t until I was in the military and stationed in other parts of the country that I realized no one else knew what a hornpout is. Even more aggregious, they had never had a fluffernutter!!!

Therefore, keeping the applications of the moves intact with each of the moves found in a set is of utmost import.

Roads

These boxing sets were typically divided into sections which we refer to as roads. The end of a road is, like most boxing sets, demarcated by a 180 degree direction change.

 

Zhāi Yào Lexicon

See ‘Applications’ section for combative methods.

1st Road

  1. Crazy Ghost Fist

  2. Toe Kick

  3. Mantis Catches Cicada w/ Crushing Knee

  4. Thrust Palm Closing Attack

  5. Knee Hook Lapel Punch

  6. Leg Hook - Blue Heron Spreads Wings

  7. White Ape Falls in Hole

  8. Tiger Tail Throw

2nd Road

  1. Double Seal

  2. Beat down Chop

  3. Closing Door Kick

  4. Drilling Fist

  5. Three-Section Step to Crushing Fist

  6. Ankle Hook to Lifting Hook

  7. Crashing Tide (monkey variation)

  8. Double Seal

  9. Diagonal Flying

  10. Wicked Knee

  11. Step fwd Beat Down Chop Fist (right)

  12. Crashing Tide - 7* variation

  13. Waist Chop/Double Push

  14. Break the Chains

3rd Road

  1. Twisting Hook

  2. Rowing Hook (7 star variation)

  3. Piercing Hook

  4. Point at Star

  5. Change Moon

  6. Double Clinching Hooks w/ Crushing Knee

  7. Temple Step to Lifting Hook

  8. Tiger Tail Throw

  9. Crashing Tide

  10. Monkey Steals Peach

  11. Circle, Scrape

  12. Heel Kick

  13. Mantis Captures Prey

  14. Blocking Hook

4th Road

  1. Seizing Hook

  2. Shoveling Hook

  3. Inside Elbow

  4. Circle Punch, Heel Kick

  5. Tame Tiger

  6. Rowing Hook (single leg)

  7. Spinning Hook

  8. Hanging Hook L/R

  9. Crashing Tide

  10. 3 Section Step to Crushing Strike

  11. Cross Kick

  12. Side Kick

  13. Circle Punch to Clinching Hook w/ Crushing Knee
    Keyword Combo - use enter—strike—connect—stick—hook—clinch—pluck—to strike with knee.

  14. Guillotine to Rising Choke

  15. Over the Knee

  16. Clinching Hook to Dragging Hook

  17. Anchor Drop

  18. Close

 

Summary Set Applications
Road 1

01 - Crazy Ghost Fist

03 - Mantis Catches Cicada

Timestamp - 02:12

04 - Thrust Palm Closing Attack

06 - Leg Hook

02:48 - Blue Heron Spreads Wings Variant

02 - Toe Kick

Mantis Catches Cicada - Con’t

Timestamp - 04:00

05 - Knee Hook Lapel Punch

07 - White Ape Falls In Hole

Timestamp - 02:00 - Hammerlock Takedown

08 - Tiger Tail Throw

 
 

 

Summary Set Applications
Road 2

01 - Double Seal

03 - Closing Door Kick

02 - Beatdown Chop

04 -Drilling Fist

 

05 - 3 Section Step

06 - Ankle Hook to Lifting Hook

Timestamp - 00:50

09 - Diagonal Flying

11 - Beat Down Chop

13 - Waist Chop

Timestamp - 3:41

07 - Crashing Tide

Timestamp - 02:57 - Monkey variant

10 - Wicked Knee

Timestamp - 00:49

12 - Crashing Tide - v2

14 - Break the Chains


Summary Set Applications
Road 3

01 - Twisting Hook

Timestamp - 02:20

03 - Piercing Hook

Timestamp - 02:48

05 - Change Moon

 

07 - Lifting Hook

Timestamp - 00:50

09 - Crashing Tide

Timestamp - 02:57

11a - Circle

Timestamp - 01:55

12 - Heel Kick

Timestamp - 01:14

02 - Rowing Hook w/ 7 star

04 - Point At Star

06 - Double Hooks with Crushing Knee

Timestamp - 1:04

08 - Tiger Tail Throw

10 - Monkey Steals Peach

11b - Scrape

Timestamp - 01:18

13 - Mantis Captures Prey

14 - Blocking Hook

Timestamp - 01:43

 
 

Summary Set Applications
Road 4

 

01 - Seize Leg

03 - Inside Elbow

Timestamp: 05:59

05 - Tame Tiger

07 - Spinning Hook

coming soon…

 

09 - Crashing Tide

Timestamp: 02:57

11 - Cross Kick

13 - Circle to Clinch

Timestamp - 00:22

15 - Over the Knee

 

02 - Shoveling Hook

04 - Circle Punch - Heel Kick

06 - Rowing Hook (single leg)

08 - Hanging Hook

Timestamp: 01:00

10 - 3 Section Step to Crush

Coming soon…

 

12 - Side Kick

14 - Guillotine to Rising Up

Timestamp: 01:48

16 - Dragging Hook

17 - Anchor Drop

Timestamp - 00:25

 
 

The 4 Pillars of Mantis Boxing

This course will familiarize you with the concept of pillars in boxing. What defines a pillar and why this nomenclature can help us understand our own martial art, as well as others.


From the onset of my training in mantis boxing the definition of this style, as well as other styles originating in Northern China, were classified by the following description - a style of martial arts comprised of four elements - striking, kicking, throwing, and locking.

As we dig into the applications and technical make-up of these styles it becomes evident that the striking and kicking were tertiary. Their fundamental purpose was to either quickly disable an attacker, or more predominantly, to facilitate a throw, trip, takedown; lock, seal, break. While we see evidence of some styles existing in the 1500’s focused solely on striking, it was not the case with many that survived the collapse of the Qing dynasty and still exist today. Likely those styles did not survive long after the survey by General Qi Jiguang in 1560 due to the inferiority of having only strikes when faced with kicks, and takedowns.

Although, as evidenced by accounts in the mid-Qing period, it was not common for boxers to stay with one teacher. There were no ‘styles’ or systems outside of family units. Boxers went from teacher to teacher learning techniques here and there.

In the late 18th century as the West began an incursion into China in earnest, the Chinese encountered boxing from the west. This western form of pugilism at one time also contained kicks, grappling, and weapons, but over time became oriented around sport. As with the hand-styles witnessed by General Qi in the Ming dynasty, more focus became concentrated on the hand striking at the expense of the other pillars. Although this did cause a more advanced repertoire of striking tactics to be formed.

This type of specialization in one element of unarmed combat is a repetitve tale in the fighting arts. When one begins to overly specialize in any one pillar, they advance their skill in that particular modality to a high degree that often surpasses and surprises an unexpecting opponent. The same allegory repeats itself in the late 20th century when Brazilian jiu-jitsu took the world by storm. Facing fighters from any style, they dominated the cage proving how effective this form of boxing was. Until it wasn’t. Their initial success however can be attributed more to the element of surprise, rather than any superior fighting method per se. As is evidenced by the pre-existence of Catch Wrestling born in 1870 in England long before, and far away from Brazilian jiu-jitsu. Yet, catch wrestling at the time of it’s inception, lacked the televised global stage, and the brazen and arrogant practitioners hell bent on proving their superiority to the rest of the world.

As time went on, the BJJ game was figured out by those previously defeated by it. These ‘ground boxers’ then improved upon it and beat the ‘masters’ at their own game. More and more fighters appeared in the arena with high level specialization in the ground fighting game. Thus creating a stalemate that went on to dominate many matches for the next couple of years. The focus on this highly specialized pillar in the UFC arena was broken by a few competent strikers entering the fray. These said strikers had the knowledge of the ground game, but gained the edge and began to dominate the octagon by use of exceptional hand skills. Round and round this story goes.

The point is this - specialization creates a high level of skill in one pillar, at the expense of the other pillars. In the ‘economics of time’ - we only have so much time as a currency to buy resources with. Spend all our resource on one pillar, costs us resources to train the other pillars to a high degree.

Historical Pillars

The primary pillar of focus in China, Okinawa, the Steppes to the north, was wrestling based fighting arts. This has been a constant for thousands of years of human existence. However, a grappler can be shut down by a solid kicker, or a competent striker. A grappler needs to ‘connect’ to an opponent to become effective. So it is here we begin.

This is why it is important to know ‘why’ we train. If it is for hobby alone, and we just love martial arts, then it matters little aside from finding something suitable to our body, frame, strength capability, etc. If we train for competition, then we choose the appropriate pillar for that sport, and we excel in that alone. If the competition is MMA, then all pillars matter. Any single pillar can be toppled by any other single pillar if applied proficiently.

If we train for self-defense, or even for fun but self-defense is always on our mind, then again, all pillars matter. Real world scenarios do not happen on one battlefield alone. Terrain, environment, and space are all dictated by factors outside our control.

Mantis boxing was built around four pillars. I have worked with high level coaches over my career to improve each of these pillars. Our striking and kicking level in mantis should be able to hold it’s own if grappling (throws, chokes, locks) is not an option; or to facilitate our grappling without getting destroyed in the process.

This is the art I wish to hand down to you. A well rounded fighting art capable of standing toe to toe with a specialist to hold your own, yet using all the tools in your arsenal to win the day if ever the need arises.


The Pillars of Mantis Boxing

Strikes

Striking is of the utmost importance to us as boxers. Why? As I mentioned above, if we cannot get our hands on someone, or the ground beneath us is too unstable to risk a kick (one leg), then it behooves us to have exceptional striking skills. A strike works when a throw does not. A strike initiates a clinch, or a trip/takedown. A strike can break a clinch, or be used as a weapon of opportunity when an opponent makes space. Strikes are more than just the hand. Elbows and knees are included. When we think of striking, we apply the type of strike based on the range/position we are currently in.

Hand

Applied in mid range and close range combat. Long range is also an option when initiated as a bridging method (heavenly strike, 3 section step).

  1. Thrust Palm

  2. Circle Palm

  3. Shovel Palm

  4. Crushing/Cannon Fist

  5. Drilling Fist

  6. Scraping Fist

  7. Chopping Fist

  8. White Snake Spits Tongue

  9. Piercing Palm

Elbow

Applied in close range combat.

  1. Inside

  2. Outside

  3. Upper

  4. Downward

  5. Falling

  6. Thrusting

Knee

Applied in close range, and occasionally mid range combat.

  1. Wicked Knee

  2. Crushing Knee

  3. Side Knee

  4. Skipping Knee

Kicks

Kicks are another critical element to our weapon system. Kicks are used in two ranges and not only destroy, but confuse an opponent by attacking on multiple levels. Kicks in mantis boxing are almost always low kicks. This ensures the boxer keeps their balance when executing the kick, and lessens the chance that the opponent will catch the leg compromising our position. The highest kick is into the torso but most are attacks to the legs and groin.

Applied in long and mid range combat.

  1. Toe

  2. Heel

  3. Round

  4. Cross

  5. Side

  6. Closing Door

Throws/Trips/Takedowns

The lifeblood of our boxing arsenal. A treasure trove of trips, takedowns, and throws to put down an opponent at opportune moments. The 4 primary positions, or ‘dominant positions’ to execute these are the front/clinch, flank, opposed flank, and rear clinch.

  1. Old Man Carries Fish - clinch/flank

  2. Demon Wheel - clinch

  3. Seize Hook - clinch

  4. Change Moon - clinch

  5. Crashing Tide - clinch

  6. Crane Spreads Wings - clinch

  7. Kneeling Throw - clinch

  8. Rowing Hook - clinch/flank/opposed flank

  9. White Ape Falls in Hole - clinch/opposed flank

  10. Blocking Hook - clinch

  11. Flying Scissors - flank/opposed flank

  12. Piercing Hook - flank

  13. Twisting Hook - flank

  14. Hit Tiger (Over the Knee) - flank/opposed flank

  15. Hanging Hook - flank

  16. Double Seal - flank/opposed flank

  17. Diagonal Flying - flank

  18. Tiger Tail - flank

  19. Flying Tiger - flank

  20. Spinning Hook - clinch/flank/opposed flank

  21. Reaping Leg - clinch/opposed flank

  22. Drop Anchor/Rear Sweep - rear clinch

Chokes/Locks

Capture and seize, known as qin na. This is how we break bones, steal the blood and breath of an opponent. When strikes are unavailable, or a quick finish is required, these can level the playing field against stronger and hardier foes. Locks are size, strength dependent and can be resisted at times. Like throws, they are usually a target of opportunity, not a strength-induced assault on the enemy.

Head

A stronger opponent may be able to resist a lock, but everyone goes to sleep from a choke/seal. The following are the methods used to seal the breath, or blood and cause the opponent to pass out. If held too long, they will expire.

  1. Cross Hands

  2. Seal Tightly

  3. Point At Star

  4. Part Horses Mane

Shoulder

A large joint. Opportune moments open the door for these attacks. Can never be forced.

  1. White Ape Falls in Hole

  2. White Ape Picks Pear

Elbow

While weaker than the shoulder, the elbow is also resilient. Many of these attacks use proper timing, as well as our ‘body’ versus their ‘joint’ to give way to success.

  1. Double Seal

  2. Mantis Captures Prey

  3. Rolling Elbow

  4. Hanging Elbow

Wrist/Fingers

The weakest joint of the arm, yet this should not fool us. Some are strong, others double jointed. Wrist and finger attacks are never a first-strike and are always best when used at the right moment and as a - sneak attack.

  1. Folding

  2. Twisting

Knee

This is the strongest joint on the human body, that we would attempt to attack (hip). There are occasions when the knee is exposed to a lock, when kicking is not an option. This is usually right after we executed a takedown. Effective, but unreliable. Always be ready to move on to another attack if you do not at first succeed with this.

  1. Knee Bar

Ankle

Target of opportunity. The ankle is weak like the wrist, and can be capitalized upon when the opponent is on the ground and we are standing.

  1. Twisting

  2. Folding


Popular Martial Arts Classified by Pillar

Categorized by either a complete specialization in one pillar, or a such an extreme focus at the expense of any other pillar being a predominant factor in the execution of the art. There are 100’s of martial arts in the world. Too many here to list for our purposes. This list contains some of the more popular or relevant.

Strikes

  • Western Boxing

  • Bare-knuckle boxing

Kicks

  • Kickboxing

  • Tae Kwon Do

  • Silat

Throws/Trips/Takedowns

  • Shuai Jiao

  • Judo

  • Jiu-Jitsu

  • Sumo

  • Wrestling

  • Bokh

Locking

  • Catch Wrestling

  • Brazilian Jiu-Jitsu

  • Aikido

  • Hapkido

Multi-Pillar Martial Arts

  • Karate

  • San Da

  • Muay Thai

  • Tang Soo Do